Empty On The Edge

"It's really empty on the edge of a vacant king-sized bed"

please enjoy this music, Trista Pena~Gipsy Kings, while you read the poem

Empty On The Edge

It’s really empty on the edge of a vacant king- sized bed
love’s  wind- tunnel blows an echo straight into my head,
the infinite night of old ghosts and old stains upon the spread,
and It’s really empty on the edge …so empty.

I’m just tired of loving everybody who is not really mine,
and what carries my name tattooed in ink, I usually leave behind
I am feeling the weight of those bleak black lack- of -reason times
and I’m getting so tired… so tired.

Maybe it’s over, this theater of my absurd and loveless life,
time to skip to fall and form part of the repertory of mulch,
be useful to things I have never seen nor know what they need,
below the roots of plants and trees, there calls a peacefulness to me.

I mean it’s getting old, this hanging in the closet, last year’s fashion,
teaching myself to channel in creative ways, my dumbed-down passion,
always searching for that soul who will be brave enough to just let go,
I mean it’s getting old…so old.

Maybe it’s over this struggling with the unseen uncured silent enemy.
I never was a fighter, and each day I see less reason to ever be.
If there is no love that has my name, I prefer the dark and dreamy deep
Whisper those love songs over me, the ones I wrote for you to keep.

It’s really empty on the edge of a vacant king size bed,
love’s  wind- tunnel blows an-echo straight into my head,
the infinite night of old ghosts and old stains upon the spread
and It’s really empty on the edge …so empty.

Karima Hoisan
March 12, 2011
PZ Costa Rica

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Renacimiento ~ Rebirth

"Bear down on drab sludge! Watch the crowning head of dreams be born!"

please open music link while you read the poem “No Volveré “Gyspy Kings

Renacimiento ~ Rebirth

(dedicated to Isabel Hermano, the artist)

To be reborn from sticky clay, thick silt and stagnant fading hopes,
Like an organism beginning its’ first wiggle out of algae into complex Life.
Deep inside a mud hole, brilliant hues get pushed up to the waiting surface,
Bear down on drab sludge! Watch the crowning head of dreams be born!

Is this not how it all began, all life upon The Dreamer’s  first born shore?
Only one can take a stagnant pond and give it breeze of sweet perfume,
An elixir of renewing, a remolding of the damaged fecund core,
And warmed by light, compassion’s mirror, it is refreshed into first breath.

There is no birth without a lingering pain before this crowning,
But from what seems like doomed decay, the first Spring shoots extend,
Regenerating, opening, our spirit born, even when we think it buried,
Through our own labors taught by pain, the Artist’s sculpting tools of grace.

Moonlight… Sunlight… Starlight… all now shine upon your glowing head.
The first new intake fills your lungs and clears the way as out you come.
After -tremors pulsate, you leave behind your own self-birthing womb,
Oh mystery that re-gifts our starting over, colors us into the land of living!

Karima Hoisan
March 11, 2011
Virtual Art Gallery, Linc Island SL
©2011 all rights reserved

*please see my comment on the artist

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Weep Words

Please enjoy this song with the poem “White Flag”~Dido

where joy abounded now the noun is pain

Weep Words
~*~

Have you ever seen a poet weep words?
they fall in short stanzas to the ground
they’re salted with a touch of hopelessness
might break a heart while they are falling down.

Sunk in quatrains of such deep despair
where joy abounded now the noun is pain,
the guilt conspiring in a symphony
a sleepless and remorseful dark refrain.

Have you ever seen a poet  fade away?
like mist upon a shore at purple dawn
a substance that dissolved before your eyes
doubting  faithlessly the road she’s on.

Perhaps you have, but had to turn away
knowing that no counsel would relieve,
the dripping drops of melting human verse
that land on nothing that you could perceive.

Have you ever seen a poet weep words?
they fall in short stanzas to the ground
they’re salted with a touch of hopelessness
might break a heart while they are falling down.

Karima Hoisan
Sept. 18, 2009
Kari’s Kantina del Mar SL

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Narcissus

“Narcisse 11” artist ieko Catnap

Narcissus

(inspired by the painting “Narcisse 11” artist ieko Catnap)

(please enjoy the music while you read the poem)
MulhollandDrive-LoveTheme.Angelo Badalamenti.mp3

In the stilled waters of a liquid mirror,
he found love like a floating swan,
paddling through himself,
the night hanging cloudless above him.
He found love, jealous madness and poetry
and the moonlight shined in stripes
through the bending bars of his glorious prison.

He lost himself completely
in what he knew like his own sighs,
her night blue dream-filled eyes.
They kissed in poems of fuchsia’s passion
rosed now, the waters that covered his face,
his lip bleeding from too much feeling.
He watched her under him trembling,
copying his every expression.
Hours turned back to seconds,
now he was sure, he knew her more
than he knew his own obsession.
He sentenced himself to stay with her
night and day…and there was only her.

Wild words poured into his mind,
Oh! They made him open his mouth
to spill his ecstasy, and he let them
fall upon her off his tongue in single drops.
Her entire body trembled in
widening, spreading circles
until they faded in the shadows to a stop.

Thoughts called in notes of music and he was tempted,
to sail the seas to cool dark places,
rooms inside his mind being decorated,
before he could arrive..and every door he opened
was to invite her in and stay with him.
There was no pulling himself away, how could he?

not tomorrow…not possible today.
The key to love lay in the eyes that blinked back at him.
All the keys to the mysteries were
held inside her shifting beauty,
underneath the moonlight
washed in stripes.
He whispered it out loud now,

“Soul mate, you are in me”

Nights he passed close to her side,
so as not to disturb her silent rest,
even water for his thirst was self- denied.
and hunger became meaningless.
There was only her face
and the longing song

to join him.
Days were pages bound quickly into weeks,
flowers fell from the trees and covered him.
One moonless night he finally cried.
“Soul mate, I am in you”
Then slipping down into the waters
of his liquid mirror,
he closed his love-worn eyes,
surrendered to her peacefully and died.

Karima Hoisan
March 8, 2011
Virtual Gallery Linc Island SL
©2011 all rights reserved

*please see comment on the artist and slurl to see her latest work

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Private Guided Rally On The SLRR (Train Saga poem #8)

"I had been seeing these posters ..."

(please open this music link in a new tab to enjoy while you read my poem)
Ramblin Man~Hank Williams
For months I had been seeing these pretty posters up and down the track

Made a note in my Google calendar to buy an outfit and pack a snack.

I was the first one there

I was the first one there, or so it seemed as I sat down at Pawpaw Station
The empty tracks kept staring me back ’til I thought it was not the location.

My little humble hand car

My little humble hand car was what I chose, and I planned to ride behind
A  noisy  parade of locomotives, I imagined, of every color, size and kind.

"DOUGIE Flossberg

"...the Organizer of the Rally was sitting on a horse

But ironically, the only other (barely) human being I saw waiting on the course,
Was the Organizer of the Rally, who for some reason, was sitting on a horse.

whispered:Your Engineer is DOUGIE Flossberg

Well we got to talking and he seemed sad as I was the only other one who came
I said”Oh take me for a train ride? To waste this day would be a total shame”
He said, “I have one I call the Dog Catcher, hop in and please don’t take offense.”
It whispered: Your Engineer is DOUGIE Flossberg, sit down we will commence.

"To waste this day would be a total shame"

We took a spin in the country, then doubled back, to see if others might show late
Damion had arrived by then, he had his coach and engine waiting at the gate.
...Had his coach and engine waiting at the gate"

We moved out slowly in a two train parade, the cars were swaying and tossing
But only Damion Goodman’s train survived, that next hazardous region crossing.

hazardous region crossing

I flew up in the air, DOUGIE flew out of the world, and only one train was rolling
I  jumped in the coach car, yelled, “thanks for the lift to wherever you are going.

I yelled, "thanks for the lift"~ Damion Goodman's train

This locomotive bucked like a bronco, it rocked, rolled and it really swayed
Along the high narrow tracks looking down on the sea, I began to feel afraid.

rocked, rolled and it really swayed

the high narrow tracks looking down on the sea

Then the day’s luck began to get better, I was rescued by DOUGIE’s best train
Car after car of state of the art textured deco, made all others seem quite plain.

DOUGIE Flossberg's best train

"...state of the art textured deco..."

Well it just kept getting better, this train rode like royalty, and I felt like a queen
Then I was escorted to yet another train, surely, the longest one I had seen.
He let me drive it myself (it was programmed) to then return to the start
I fell in love with the control panel, the paint job, the whistle spoke to my heart.

I fell in love with the control panel

I fell in love with the paint job

the longest train I had ever seen

So what could have been a disappointing day, turned into a private tour
with two charming rail engineers, who made me feel  welcomed and secure
When I said my goodbyes and thank-yous, I was given a free train of my own
I smiled at the dials, and thought, “might be a fun one to ride all the way home”

I smiled at the dials

to be continued…

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“Sweetie… All I Did Was Mute You”

This short post is actually more of a public service message, a sort of sharing of the collective experiences we live and learn in Second Life. It is also a warning to clumsy avatars, I am included here, who can pose a danger to others and themselves by pushing the wrong buttons at the inappropriate times.
Now, the story…
When my friend Camille invited me for a drive on a beautiful late afternoon day, in a post- apocalyptic desert wasteland appropriately called The Wastelands , I immediately dropped everything to be there for her. The afternoon was cooling, there was a slight breeze and the scenery of shattered and battered shacks with bending telephone lines was both surreal, and refreshing in an odd way, that perhaps some of us can understand.

a desert breeze with the top down afternoon

Camille has a special way she drives when she is in the desert that can only be described as reckless. She was doing full 360 turns, kicking up dust, frightening the jack-rabbits and making me whip around like someone who had about 9 g’s of centrifugal working against them. We tore ’round ‘n ’round an old tattered shack about three times, until she finally headed us out onto what was maybe at one time, a sort of road that the bended telephone poles marked like an end- of- the -world highway.

"...like an end-of-the-world highway..."

I admit to loving speed and the throttle pushed to the floor, and there didn’t seem to be much danger to anything out here but ourselves, so I began to relax a bit and take in the scenery that could have been taken straight from the opening scenes of “The Book of Eli“. There is a comfort and false confidence that burns bright when you stop to reconsider that we were still here after The End, and though it was a Wasteland it was a reminder of the gritty leathered survival of the few animals and even ourselves who had what it took to live on. The ozone and a faint odor of what might have been long-ag0- dehydrated jet fuel filled my brain and I closed my eyes and heard the roaring of the engines. Camille silent in her own post- apocalyptic internal ramblings…the sun retreating… it was really a good moment….until we slid down that first embankment..

"...until we slid down that first embankment.."

My neck whip-lashed and pulled me from my reveries of post war implications and I realized that Camille had not let up on that gas pedal and that we were lucky we didn’t flip 14 times, but she pulled and battled with the wheel like a captain on a stormy sea and we actually made it to the bottom, our mouths wide open in shock, but still upright. I guess I am building up to what happened next, by trying to blame a little bit of it on the fact I had just lived through a near-death experience, and so had more adrenaline than brains working at the time. Really, a substantial part was Camille’s fault too. I asked her to stop as I was hoping to take a picture of one of the picturesque shacks that I was seeing, and I thought that when she screeched to a halt that meant she was stopping to oblige me. I made the grave error of standing up to get a little better angle of my shack of choice when, and I am really not sure how I did this, as I have never consciously done it to anyone in my 3 years of SL before..never on purpose have I muted anyone and yet I muted Camille while she was starting to pull away..and I blew up most of the car, really, and caused poor Camille to mute out into a ghostly specter, the color of Wasteland dust, sitting on her seat, suspended on nothing more than the shadow of her former car. WOW!! I had no idea that could even happen!! I did not realize the power of the mute button, the sheer destructiveness of it..to pulverize steel doors and body, leaving only the rubber tires and the seat, because it was made out of red leather(?)  defying the lethal mute blow, that took the rest of the car away in one flash. I was so horrified as to what I had done..I couldn’t even stop taking picture after picture, like a shell-shocked photographer on the front lines..and I knew what I did….that was the awful part of it and poor Camille could not even say “what the.. huh?” as she was so wrongly, clumsily, erroneously muted by me. I surveyed the damage and said a prayer that what can be done can also be undone. I pushed that evil mute button one more time and sure enough, it all came back like it was before. The color returned to the paint-job, and to poor Camille’s sallow cheeks, the seats aligned on the metal chassis and the first and only thing I thought of to do, when she gave me “that look” was to throw my hands up in the air and say, in my most charmingly innocent fashion,
“Sweetie… all I did was mute you.”

"I surveyed the damage,and said a prayer"

The lesson learned was “Do not mute and drive…even as a passenger” I hope this might save someone else from having to go through anything similar.

The End

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Celebrations Pro-WARR on The SLRR (Train Saga report #7)

The Burns Station on the West Atoll Rail Road (WARR)

I am not a reporter, I am a poet. That said let me say that no… my title has no typos, and the gathering of more than 30 people on Tuesday night March 1, was to celebrate the peaceful extension of the SLRR on a brand new private Rail Road Line called West Atoll Rail Road (WARR) on Heterocera Atoll, between Neumoegen and Achlya. The proud owners and creators, Hilto Meridoc and Myuki Mills greeted everyone, warmly and translators buzzed and gestured in both English and Japanese. We all gathered at the brand new Burns Station situated at the beginning of the line… or the end of the line, depending if you take a glass is half full or half empty point of seeing things, and before very long, we were a happy crowd all waiting to get on the inaugural  ride on this virgin rail road track. My train riding buddy of the railsMenubar Memorial and I felt very pleased to be invited by Jer Straaf to come and share this happy moment with his friends. I also am a card carrying SLRR member and wanted to show my support for any project that extends this wonderful Mainland railway system.

Menubar Memorial, myself and many well-wishers celebrating WARR

The illustrious list of well-wishers included many gifted builders, scripters, and riders of the rails, all with one thing most certainly in common, the love of trains. After everyone yelled out their sincere congratulations to the creators, Hilto and Myuki,  Myuki rezzed the first train and called out to the platform full of perspective passengers “All Aboard” Everyone started sitting as they could, some landing on the roof and it was not possible to seat everyone in the one small brightly painted car… but we sure tried.

Myuki yelled “All Aboard” and there was a mad scramble to find a seat

I was lucky to grab a seat on the first run and saw that Menubar had jumped on the next train behind us. We were off.. and the freedom of  being on the rails again, after an extended time away, hit me right in my satisfaction and it felt like pure joy to be bouncing and swaying, that familiar clickety-clack calming me, like only riding the rails can do. I admit it… I am an addict and search for no cure, just let me feed my train-loving fantasies by riding the SLRR wherever it may lead me!

Comfortably cozy with many other illustrious and lucky passengers on the first run

The excitement began at the first region crossing and it seemed to catch everyone by surprise as without even a warning, no bells clanging, no deep whistles alerting, most of us inside the coach car found ourselves suspended in the air..and there was nothing else we could do but “stand-up” and fall to earth.

We had an awesome view but lost sight of the train

I closed my eyes tight and let myself drop back to land, and hit the tracks just barely missing being run over by the train that Menubar was riding in, the one that had been traveling behind us. It was pretty obvious sim crossings are not fond of more than 10 people riding in a train car and as Menubar remarked later, SL was being in general particularly cranky and petulant that Tuesday night. After brushing off the dust I saw the familiar red mop of long hair blowing out the open window and ran as fast as I could to jump on and ride in the same train Menubar was in.

I saw the familiar red mop blowing out the open window

Just the passenger list had changed this time... riding on the WARR

No sooner did I manage to catch the speeding train and sit down, we hit another sim crossing, and just the passenger list differed from the first time, but once again we all were suspended high over the tracks feeling confused and filling up quickly with acrophobia, because as anyone knows many who love to ride the rails do not love to fly.

Sim crashes can make you grumpy, Menubar and I barely spoke after it

When I hit the ground I was immediately thrown down the side embankment by an oncoming locomotive that nearly took my leg off. I crawled back up and was immobile and sort of train-shocked, still as a statue on the tracks. I saw a sleek and modern “dance train” as the owner called it pull up and the driver Jer Straaf and his lovely partner Rainey Straaf invited me to climb on board. Well there wouldn’t be any dancing as it turned out, or even any traveling, because we were in a no-script area and so after chuckling over that irony I jumped off and ran down the tracks back to Burns Station.

no dancing, no traveling, no scripts~ Jer and Rainey Straaf and myself

So, the celebration turned into more of an adventure than anyone might have imagined and just as I was nearing the spot where we began our journey, I saw a modern and very futuristic police car come down the tracks and skid off the rails altogether. I didn’t stop running until I got back to the station, and composing myself  as well I could,  I did wish all involved in the new railway great success and congratulations on a job well done.. Get a train..ride the SLRR... take a ride on the WARR and discover the thrill of this deliciously addictive virtual lifestyle.

When the cop cars began to crash... I knew it was time to leave

Here is a great YouTube of the event thanks to Yumix Writer

“Discover the Mainland” Ride your own train!

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The River of Forgetting

"It is the chant the boatman taps with oars..."

(please open this music link in a new tab to listen to my recitation of the poem. The words were  born from this song as was an earlier poem “The Docks”I hope you listen and enjoy)
The River of Forgetting Karima Hoisan &Untold Stories~David Darling

The River of Forgetting
inspired by the song “Untold Stories” by David Darling.

The heart beat of my mother begins the birthing of my song.
Something so profound, put away tucked down inside of me,
I have heard it will be quite painful to be born.
It is the chant the boatman taps with oars,
while he carries us from what we know,
down stilled black marble waters
to that nearing shore.

When we leave the pier we are so full of memories,
but when we land, perhaps it is the truth that we give thanks
for a beginning… after all we’ve set aside.
Yet the boatman’s passage along the river of forgetting,
is one we are not permitted to deny.
Choice was a pre-bought ticket,
while my mother’s heart beat pumped for two,
to be handed in,
at the hour that I board this final ride.

Even if we suspend like ribbons in a current,
like leaves without resistance,
there will still be, as long as we remain barely mortal,
the yearning of our lives.
At the next bend, we cease the cramping clench of being,
release our fists, make open hands with ticket ready,
as down stream we are taken by a greater will to glide.

I will miss you.
I will miss not ever knowing you although we made a try.
I will miss you and you and I most certainly will miss you,
the ones who reached out my way,
and I always passed you by.
We are seduced delirious by angel’s teasing peep-shows.
We strive and dream and always fail to go a bit higher
than our little root-bound planted lives.

I will miss the times I said no…
to secret hidden nights and men’s winks that made me ache inside,
to the learning of magic tricks, leaving people on the corners
while I forgot to say goodbye.
The shoreline waves in hallucinations, and all I was… I am forgetting.
I regret only that I did not see the whole show,
because my fear made me stand outside,
too timid to let it go…
and take that chance and die once or twice in life.

My dirge like the wind’s chorus hums to the beat of the oars.
I am the only queen of this Nile,
traveling down the still-bound liquid highway.
Now my boat is made of reeds as who I was recedes,
I will miss you.
I will miss our laughs and silly games,
even the ones we took so seriously.
What do they matter now? or if they ever did…
My mother’s heart beat pumped me out into this life,
a push as hard as one I feel, now upon my back,
the firm insistent push that says,
“Oh mortal we are landing…This voyage is now ending.”

Karima Hoisan
Feb.27,2011
Misty Shores Linc Island SL
©2011 all rights reserved

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Two Poems That Sing The Blues

I think I spent too much time on Scottius Polke’s “The Docks” as I have been singing the Blues ever since. Not all my poetry is inspired by Second Life and these next two offerings will be recited on Friday Night,March 4th at my reading  at “Kari’s Kantina del Mar” 7pmslt (see past post) I have chosen the music of Amr Diab singing “Tab3 El-7ayah” which basically means “Life is like that”  Depression and hard decisions are part of Life, and at one time, or maybe many times, everybody sings the Blues. These two poems were both published in 2010 in the USA in an anthology of a small group of chosen International poets. (please open the music link in a new tab to enjoy this great song while you read) Tab3 El-7ayah

"Big-holed sieve ... nothing of any value stays..."

Big-Holed Sieve
for O.

Each day passes right through without touching me,
Big-holed sieve … nothing of any value stays,
An entire starry evening goes straight down the drain.
What is the purpose of pouring
Into the porous leftover of my life
One more day?
Yet I know not how to leave you,
Certainly not how to make it right.
Repeated cliffs so high with your disdain
Block out all the sunlight.
Afternoon sulfuric rains
Maintain your kingdom dry and cruel,
It all continues to flow into me.
When I grab the air for anything,
I realize something was there…
Before it washed through me,
And was gone.

Karima Hoisan
2007 Jordan
©2010 all rights reserved

"I hit the street not like a ball but like an egg..."

When It’s Over
for O.

Once upon a lifetime
Your chest was the safest place to lay my head,
And wherever I was, you called it home.
Now even my sighs are irritating,
My smile grates on your blackboard of grievances.
When it’s over, we know it, don’t we?

Provoking is the new word of the week,
Everything wears it that swirls too near me,
One sentence of mine, a provocation,
Each “Could we just talk?” a cry to raise arms.
This and that, all provoke you into raging attack.
When it’s over, we know it, don’t we?

I pack some things just in case,
Feeling the fall- out of our poor love gone plop!
I hit the street not like a ball but like an egg,
Raw, cracked, cooking on the sidewalk
Of your hot abuse.
I look into the mirror,
Someone has grown so sad and worn.
When it’s over, we know it, don’t we?


Karima Hoisan
2007 Jordan
©2010 all rights reserved

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From Puppy Ears To Arias

Originalia~ Amase Levasseur's beautiful new sim for Sl Art

I was invited as part of the press to get a sneak preview of the Opening of Originalia, a sim owned and envisioned by Amase Levasseur who is dedicating it to art in SL. The grand opening will be Sunday Feb. 27th at 3pmslt and this is one you don’t want to miss.
She has given a 1/4 sim to each artist with ample prims to let their imaginations flow and flow they did.
I landed in the gallery and cammed up and around to see a  perfect structure for showing art. Elegant, open,simple angles, with lighting that invited rather than overpowered the art and the viewer.
Rag Randt’s latest show entitled “Doggie Dreams” was displayed on both the main and upper level of the gallery. If you are a dog lover and have ever mused what goes on inside those doggy heads (I have), this clever series will let you know, while delighting you. His original drawings have been deconstructed and transformed into 3D versions.
Some of these Diorama-like boxes have particles and are scripted and  I smiled box after box. My favorite “Quenched Thirst” appears here below, and was probably the first “bathroom fantasy” to make me laugh.
"Quenched Thirst" by Rag RandtFollowing the path over the stones and turning my settings to midnight I came to the dreamy tropical gardens featuring
Em Larsson’s “Temporal Dreams” I walked along a moon-lit path of sensual plant-life, with these beautiful images popping out, becoming more visible as I got closer to them. This technique she uses of varying opacity, captures the mood she was trying to create and echos the title of her show, for as you walk away, they too fade, as the next one ahead begins to appear.

Dreamy tropical gardens of Em Larsen's exhibition

From Temporal Dreams by Em Larsen

I loved her use of time pieces in every one of them, from antique clocks to digital…Time is part of all her dream visions, perhaps reminding us how we never have enough of it, and even when we sleep and dream it goes on ticking.  I walked away wanting to stay more, and the feeling that I must return, lingered inside my own temporal wishes.

Time is part of all her dream visions

Following the stones over the bridge the lighting began to glow in beautiful shades of indigo and dark royal blues (my most favorite colors) and I was on a foggy path of  swamp sounds and fireflies that led up to Scottius Polke’s “The Docks”, his latest, and for me, most emotionally beautiful installation. I am an admirer of Scottius for many years now and his sculptures and art works  grace my own sim  Misty Shores Linc Island. For me personally, this is his most brilliant offering from the depths of his super-charged subconscious. As I said to him in IM,” I bounced on beds in mushROOM and rode stingrays through Lunamaruna but sitting on The Docks, I was mesmerized, hypnotized, and  forced to write a poem.”  The Docks is nothing less than “magical and musing art” or as my fellow reporter Camille Topaz said to me, “This is Second Life at its best” I agree, and let my poem speak the final words on how it moved me.  Please read it here and put on the music to capture the whole mood. https://karimahoisan.wordpress.com/2011/02/24/the-docks-poem-for-scottius-polke/

"...Second Life at its best."

I followed the path past the lobster traps and shack, and pushed through the veil until I came to a stairway that led into the final art offering of this wonderful eclectic mix of dreams on Originalia I was asked to allow windlight to change my settings which added a  glow hiding artistically to what was waiting at the end of the path
“Aria” by Eliza Wierwight pulls the viewer into the passageway that begins very dark, yet sensual, with glowing pieces of art on both sides, a compelling tunnel-like path  leading and winding to an open area which is essentially the climax of the piece.

"Aria"by Eliza Wierwight

an eye-stopping flash of light

There is a spot where a shaft of light shines down through a beveled glass window into a pottery that is both evocative of the Old World Masters and cleansing with its light.  I passed, hanging glowing imagery against the black walls,  sculptures and then… The low arched ceiling  opened to a  stairway, the higher level lit by candles in glass globes..so elegant with the music of an Aria singing through the corridors surrounding everything. I felt the sensation that the musical aria birthed this artful build,  instead of being added on as an afterthought . The climax is on an open dark deck of elegant wood..reminiscent of
Bayron Grayson’s Templum ex Obscurum,
or
Ameron Oldrich’s Eilean Donan of Eigg. However the voice that sings and weaves her spell is distinctly female. Beautiful all- immersive piece, the stage is set, combining the visual and the musical in majestic specter- elegance and hinted longing.
~*~

the voice is definitely feminine

This is one Art / Sim opening not to be missed. Feb. 27th at 3pmslt.. (Closed to the public until then)

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